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Searching for tag: hong-kong-independent-music

Elliott Wan / HK’s Indie Music Scene (8): Independent Vs Mainstream 香港獨立音樂場景系列之八:如何獨立

Elliott Wan / HK’s Indie Music Scene (8): Independent Vs Mainstream 香港獨立音樂場景系列之八:如何獨立

One key to the survival of independent music is to spend costs like you are indie, but attain audience attention like that in the commercial sector. Is this really possible, and the only way? 用獨立製作的成本,獲得商業製作的注意力,有可能嗎?到底本地獨立音樂要追求的是甚麼?

Elliott Wan / HK’s Indie Music Scene (7): COVID-19 and Digital Media 香港獨立音樂場景系列之七:新肺炎時期的製作方法

Elliott Wan / HK’s Indie Music Scene (7): COVID-19 and Digital Media 香港獨立音樂場景系列之七:新肺炎時期的製作方法

Many innovative responses have been evident to survive the impact of the pandemic, sustaining jobs and income for some. What is lost and what is gained? 新肺炎刺激了不同的生存手法,不乏對音樂創作的傳承。危機是渡過了,接著呢?

Elliott Wan / HK’s Indie Music Scene (6): Production Methods 香港獨立音樂場景系列之六:製作方法

Elliott Wan / HK’s Indie Music Scene (6): Production Methods 香港獨立音樂場景系列之六:製作方法

The bedroom studio is an apt solution to cost reduction, continuous music creation, and sustainable connectivity; but what long-term impact would it have on the integrity of live performance and the underlining sense of community? 睡房式獨立音樂製作模式解決資源財力有限和跨區隔閡的問題,也是COVID-19 期間的及時雨。但有那些長遠的負面影響?

Elliott Wan / HK’s Indie Music Scene (5): Distribution Methods 香港獨立音樂場景系列之五:發行方法
Elliott Wan / HK’s Indie Music Scene (4): Indie music and local identity 香港獨立音樂場景系列之四:本土身份

Elliott Wan / HK’s Indie Music Scene (4): Indie music and local identity 香港獨立音樂場景系列之四:本土身份

What specific shape has localism taken since 2009? What role has HK’s indie music arena played? In part 4 of his 10-part report, Elliott Wan makes the connection between between several activities and incidents. 本土精神強調本地生活、經驗的累積是身份認同的資源,自主生活的底。獨立音樂佔了個甚麼角色?

Elliott Wan / HK’s Indie Music Scene (2): Hidden Agenda: rise and constraints 香港獨立音樂場景系列之二

Elliott Wan / HK’s Indie Music Scene (2): Hidden Agenda: rise and constraints 香港獨立音樂場景系列之二

How has HK’s independent music arena grown and sustained itself? What specific shape has localism taken since 2009? In the second of his 10-episode essay, Elliott Wan accounts for Hidden Agenda’s five-time threat of closure, which ironically was the result of an attempt to “(re-)vitalize” under utilized industrial space. 正是「活化」的果效,充滿活力的 Hidden Agenda 經歷了5次的關門。

Elliott Wan / HK’s Indie Music Scene (1): Hidden Agenda’s history and formation (2009-2011) 香港獨立音樂場景系列之一

Elliott Wan / HK’s Indie Music Scene (1): Hidden Agenda’s history and formation (2009-2011) 香港獨立音樂場景系列之一

How has HK’s independent music arena grown and sustained itself? What are the major factors at work? What specific shape has localism taken since 2009? How did COVID-19 alongside many social circumstances invoke modal changes in music production and distribution? Elliott Wan, in 10 episodes, accounts for many such questions through literature research, field studies and interviews with stakeholders. 香港獨立音樂場景系列一:溫啟朗讓「據點一杯茶」分享其對香港獨立音樂的景況的觀察和考查,回顧前瞻,翻出一個專屬香港的獨立音樂故事,作為創意媒體本科畢業的總結。

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