Korea’s 35-year long colonial history as Japanese occupied territory (1910-1945), followed by domination of the US and other powers which turned the country into the battlefield of a long Cold War, has every step of the way imprinted the legitimacy of art, thus also the relaxing and tightening of the circle of entitlement to artists. 2nd of a 4-part essay 繼朝鮮皇朝近二千年的「宮廷畫師」至深受中國宋明影響的「文人畫家」,辛庚珍進入一個歷史斷層,由日佔35年的殖民時期到戰後的冷戰時期韓國分裂為南北,藝術的存在價值以及藝術家入圈的合法性,看來都不是純粹的藝術問題。全文四部之二。