研究生的考察範圍、指向,是世界的未來的形骸,新知識的風向計,對現今時代的把脈。起家立說之前,往往是轉瞬即逝的珍寶 — 直覺、對問題的「肚腹」般的反應。我們要好好留著。完整的辯說,碎片,靈光一閃,大小故事,所見所聞,理念層次的穿線連點結網…。「在地」、「尋檔」、「書寫作為思考」等陸續有來。A network of ideas from doctoral researchers whose tentative thinking may value as much as well formed writings. Hear their voices. Michael Leung’s “ON LAND,” Vennes Cheng’s “THINK-PAD,” Lim Yeon-kyung’s “ACTING OUT” and more are arrivals…
[Mending Years 縫補歲月] Domestic Moonlighting (2023) adapts a work commissioned for the 9th Shanghai Biennale (2012-13). In the current iteration, Linda Lai highlights domestic moonlighting by women and children in HK in the 1960s-80s, estimated to value at postal volume of 57.5 million kg for RMB94.7 million, sent from Hong Kong to China. 《家居副業》(2023)。黎肖嫻的郵政考察顯示出上世紀六十到八十年代期間,香港婦女和小孩的家居副業從香港向中國支援,投遞了約五千七百五十萬公斤的小郵包物資,郵資總值九千四百七十萬人民幣。還有...
The second of FP's 2-day intervention-insertion-installation-production performance at Asia Art Archive's new reading room concludes with a show window filled with “live” traces of FP players, friends and on-site visitors. … Another attempt to capture the rich diversities of the happenings, the author's attempt to preserve her own personal glimpses at least.
*An interactive video archive installed at Floating Projects, 3-19 December 2022. (All videos subtitled in English) *Video Forum, 10 December 2022 (3:30-5:30pm), will feature Kimburley Choi and Fei-pang Wong, hosted by Linda C.H. Lai (conducted in Cantonese).
While deeply aware of the underlying tensions in all love relationship, fresh graduate Cher believes it’s very worthwhile to preserve and present the blissful moments of a couple, even if just for a moment. Thus started her months-long action research — photography as an event — to act out as a sonder person. 對周遭的人的感悟有多少?李祉昕以行動出發,攝影是牽動關係的探索行動,為了展出,更是為了接觸別人和自學。
Are perspectives on diseases without a human agent (empirical perspective) possible? “ From the disease image perspective (o1) through the cooperative discourse (02-03), and the “war frame” (04), Hector Rodriguez advances a point of view that conceives of a person as part and support of an ecological community. And what if “the bacteria that inhabit a person’s body are to a large extent unique to that person”? The assumptions of a microbial ecosystem define what it means to be person, so that a person is an ecological community. How ought we to think of personal identity when we consider the role of built spaces and dynamic interactions in shaping our microbial signatures?
“Field notes” series (2022) Look at That Picture begins with graduate researcher Tse Lam-hei’s close study of a drawing by local artist Ho Sin-tung, which Tse turns into a found archaeological object, tackled with rich descriptions. 研究員筆記「定睛看」系列的首篇。謝琳禧鑽進本地藝術家何倩彤的一張手繪,用考古的態度、方法,和精細調理歷史的精神,把何的圖像層層剝開。
“MAKE FRIENDS NOT ART” – Batch 5 members are making prints in Gudskul area at Fridericianum Museum to raise funds for 2 members’ return travel.
knowledge market, workshops, cooking… daily life at Documenta’s collective school. 16-20 July 2022…
First two weeks at Documenta 15’s Gudspace… John Chow shares his initial experience of co-living. The FP at Documenta journal series continues…
Floating Projects is taking part in Gudskul’s fifth year of Contemporary Art Collective and Ecosystem Studies, this time part of Documenta 15. FPC members John Chow and Dory Cheng participates in their 50-day co-living to gain first-hand understanding of lumbung practice, a sharing model.