Part 4 of “tool-being” series, Longman Luk looks inside a 360 panoramic camera for the everyday consumer, to hack its customized functions, and to test its operational limits, which results in his videographic exercise presented at Micro Narratives 2022. A manifesto on his videography follows.
In the third of a 4-part series of artists' writings in "Floating Teatime: Art Notes," “tool-being" (Graham Harman, Bruno Latour), Tate Kwan calls our attention to a common defect many have experienced on ZOOM meetings, which she turns into raw material for artistic creativity.
Second of the “tool-being'” series. What new insights would we have of our experiences if humans and tools/machines are understood as an assemblage, coming into the presence of each other to seek collaborative possibilities? Abby Yuen reveals how her abstract video of foams was the result of a sound machine she made.
Following up on Micro Narratives 2022: the first of the “tool-being” series, featuring Jaron Kuehmstedt's OCTV – Open Circuit Television: a live video installation, which adopts graphic computing Max-MSP, twitch.tv and OBS (Open Broadcaster Studio)...
29 short pieces of videography by 24 young makers enacting their presence, human-tool assemblage, and the making of experiences from fragments of attentive moments ...