Searching for tag: assemblage
WCH Assemblage #1: Automatism. One step forward. No Waste | 黃竹坑聚疊（一）：不假思索。多走一步。總有點甚麼。
Assemblage at Floating Projects (FP Assemblage) started with two personal stories. Initiation of the Assemblage events are documented here in writing, on 14 July 2015, on the eve of FP1.0’s Grand Opening… (this version: updated May 2022 for D-Normal/V-Essay issue 5)
Linda Lai / Emotions, Magic, Tool-being, Assemblage: Performative Videography, Micro Narratives 2022 寫情緒。玩戲法。工具在，我在。聚疊。2022微敘事選輯。抒演性錄像書寫
29 short pieces of videography by 24 young makers enacting their presence, human-tool assemblage, and the making of experiences from fragments of attentive moments ...
聚疊的各種天氣 The weathers of the assemblage-assemblies
It takes many brains and strong desires to subvert a bulk of junk — Fuk-kuen Wong looking back at the Assemblage events in May and June 2022. 要顛覆一堆垃圾，確實需要大量腦汁＋動手的慾望。黃福權回望兩個月來的石硤尾「聚疊」重探。
Assemblage as Assembly「石硤尾聚疊」2022：聚集、共融
熱身後的「聚疊」有了新的呼吸，5月20日晚上現場。梁志剛角度。 FPC member Michael Leung breathes with his first trial of SKM Assemblage on 20 May … Disparate geographic locations connect through loose thoughts… Assemblage growing …
2022 Assemblage growing 「石硤尾聚疊」2022 蔓延
據點句點新成員鄭嘉雯參加了2022年5月6日星期五晚的 Assemblage 熱身，自行發現「聚疊」的內藴。即興是怎樣的一回事？ What does improvization look like? FPC new member Dory Cheng provided her account as a fresh performer-participant at the 6th May Assemblage.
2022 Assemblage: warming up 「石硤尾聚疊」2022 熱身
究竟是什麼原因，一段津津樂道的歷史，一個大家認為具代表性的活動，最後變成了文化遺產？ What does improvization look like? Here’s an account of what happened on site at Floating Projects in the evening of 6th of May, by FPC member WONG Fuk-kuen…
Sketch 2: Floating, Surfing, Working on… 再稿: 浮遊，流動，工作進行中
“Sketch 2” picks up the question of what a sketch could do beyond drawing, beyond pen and paper, beyond the concept of a draft. Sketch is an extempore — on the spur of the moment, an artist encounter the many more possibilities awaiting. FPC members’ pop-up show will be kicked off by an initial assemblage event with modifications in 21 days.《再稿》– 自2018年後《稿展》再度出擊。打開「稿」的種類、載媒、應用和意義，也是「據點。句點」成員的再一次聚疊，透過展示他／她們的「稿」件，用另一種方法展示他／她們的藝術關注和創作上的路徑。21天。天天換景，重組再疊。行動就是探索。
Vennes Cheng / THINK-PAD series 02: History and archive are constructed 「書寫作為思考」筆記系列二：歷史及檔案皆為構成物
Reality once again confronts us with the fallacy that “history” is a subject that concerns only those studying the humanities. Researcher Vennes Cheng takes us back to a more basic question that deems history the literacy of contemporary global citizen, asking: what is the difference between historical reality and lived reality? 歷史是唸文科的人的事這想法或許有急切矯正的必要。歷史進入我們的日常知識領域，間接導引個人和社群行動的取決，或成為在位者下令的理據。退後一步，鄭秀慧問：歷史的現實與活在當下的現實有何不同？這是當代公民的基本道德素養罷。
FPC members, Wong Chun-hoi / 計劃聚集記錄 Record of ensemble-plan
《計劃聚集》為「據點。句點」的原生遊戲系列《黃竹坑聚疊》。句點藝術群體會在區內拾遺，不加思索地處理著現成物料，推斷著現成/被棄物的物理性，可衍生的下一步，聚疊遊戲後又衍生即興演出《據點空間壓力測試》系列。是次據點聚疊這空間「變形蟲」外遊來到了台北的非常廟藝文空間。王鎮海作了詳盡的記述。Wong Chun-hoi, FP’s Artistic Engineer, keeps a dense record of the process of staging FP’s Assemblage game in a gallery in Taipei.
Josef Bares / Wong Chun-hoi’s “Hardworking Burning Electricity”
[FP EXHIBITION REVIEW] Josef Bares makes sense of an assemblage of cables and switches in Wong Chun-hoi’s solo show — electricity personified…
