Part 4 of “tool-being” series, Longman Luk looks inside a 360 panoramic camera for the everyday consumer, to hack its customized functions, and to test its operational limits, which results in his videographic exercise presented at Micro Narratives 2022. A manifesto on his videography follows.
In the third of a 4-part series of artists' writings in "Floating Teatime: Art Notes," “tool-being" (Graham Harman, Bruno Latour), Tate Kwan calls our attention to a common defect many have experienced on ZOOM meetings, which she turns into raw material for artistic creativity.
Second of the “tool-being'” series. What new insights would we have of our experiences if humans and tools/machines are understood as an assemblage, coming into the presence of each other to seek collaborative possibilities? Abby Yuen reveals how her abstract video of foams was the result of a sound machine she made.
Following up on Micro Narratives 2022: the first of the “tool-being” series, featuring Jaron Kuehmstedt's OCTV – Open Circuit Television: a live video installation, which adopts graphic computing Max-MSP, twitch.tv and OBS (Open Broadcaster Studio)...
On 21 December 2022, 24 videographers from the Micro Narrative Laboratory presented 29 short pieces of videography enacting their presence... Varied voices. Contrasting disposition. A broad range of artistic and media resources… The works will stay on-site at Floating Projects on FOUR parallel screens 24-31 December.
29 short pieces of videography by 24 young makers enacting their presence, human-tool assemblage, and the making of experiences from fragments of attentive moments ...
Once again, what is “micro narratives”? Micro narratives is about stepping down from ,,, Some pieces you’ll never see because they stand for the struggle to push boundaries…