研究生的考察範圍、指向,是世界的未來的形骸,新知識的風向計,對現今時代的把脈。起家立說之前,往往是轉瞬即逝的珍寶 — 直覺、對問題的「肚腹」般的反應。我們要好好留著。完整的辯說,碎片,靈光一閃,大小故事,所見所聞,理念層次的穿線連點結網…。「在地」、「尋檔」、「書寫作為思考」等陸續有來。A network of ideas from doctoral researchers whose tentative thinking may value as much as well formed writings. Hear their voices. Michael Leung’s “ON LAND,” Vennes Cheng’s “THINK-PAD,” Lim Yeon-kyung’s “ACTING OUT” and more are arrivals…
《計劃聚集》為「據點。句點」的原生遊戲系列《黃竹坑聚疊》。句點藝術群體會在區內拾遺,不加思索地處理著現成物料,推斷著現成/被棄物的物理性,可衍生的下一步,聚疊遊戲後又衍生即興演出《據點空間壓力測試》系列。是次據點聚疊這空間「變形蟲」外遊來到了台北的非常廟藝文空間。王鎮海作了詳盡的記述。Wong Chun-hoi, FP’s Artistic Engineer, keeps a dense record of the process of staging FP’s Assemblage game in a gallery in Taipei.
A moving image program Linda C.H. Lai curated for Art Central 2017 brought together film projection and digital imaging works to show experiments and innovations transcend what we call old and new media…
To make a monument that does not monumentalize… Linda Lai explains her conception of “Mnemonic Archiving” in which 19 new objects embody her videography to date at Pearl Lam Galleries-Singapore, 7 May – 3 July 2016.
These manifestos are to accompany the 18 works in the Concrete Videos program to be screened at Floating Projects, 4:00-6:00pm, 9 January 2016, produced and curated by Linda Lai. +The project described here was partially supported by a grant from the Research Grants Council of the Hong Kong Special Administrative Region, China (Project No. 9042111 […]
「據點。句點」 成立了快半年,玩了三次聚疊遊戲,以現成物作為材料去「堆砌」一個「展覽」。我想在這裡中途總結一下至今的一些浮面的潛在規則。 0。身處展場,或用你的方法去存在於此 1。只能用你在時限內得到的材料,可以是撿拾的,可以是自己帶來的,總之不要浪費金錢 2。接受同場發生的任何事,並善用它,改變它,也必需接受展出期間的任何後期聚疊(即別人後加的改變或再創作)
To Linda C.H. LAI, documentary is a total event that cannot be fully considered without taking into account the intention of the maker, relation between the maker and the documented, the use of the work in its life-span of distribution and circulation, the conversations it invokes, and ...
Elliot Leung responded to an FPC Forum ‘What’s in a Talking Head: narrated selves and event structure,” a participatory art project by Linda C.H. Lai
Kimburley Choi's reading of Linda Lai's video tale of cities… Trespassing World Cities 《搖擺過路人》(2005) is a composite of Linda Lai’s tourist-video-style travelogues. Choi proposes the need to inscribe the term "flâneuse" to highlight a gender dimension that "flaneur" may slight.
Linda Lai reviewed the works in the “Transmediascape” session of the 12th International Women's Film Festival in Seoul (8-15 April 2010): 8 film/video works of varied length and diverse methods, each experimental of its own kind..