Category: FieldNotes 考察中
研究生的考察範圍、指向，是世界的未來的形骸，新知識的風向計，對現今時代的把脈。起家立說之前，往往是轉瞬即逝的珍寶 — 直覺、對問題的「肚腹」般的反應。我們要好好留著。完整的辯說，碎片，靈光一閃，大小故事，所見所聞，理念層次的穿線連點結網…。「在地」、「尋檔」、「書寫作為思考」等陸續有來。A network of ideas from doctoral researchers whose tentative thinking may value as much as well formed writings. Hear their voices. Michael Leung’s “ON LAND,” Vennes Cheng’s “THINK-PAD,” Lim Yeon-kyung’s “ACTING OUT” and more are arrivals…
Michael Leung / ON LAND 06: Third Time Lucky? 「在地」六：再三的幸運？
The bat. Confinement. A female goat. Graffiti “The future is female!” Electronic tagging. On-line conferences. Animal testing or not. The Joker… All connected — to our future. Michael Leung’s intergalactic thinking connects. 蝙蝠。限聚與禁閉。母羊。牆上塗鴉喊著：「未來是女的！」電子標簽。網上會議。應否用動物進行藥物測試？小丑。… 在梁志剛的系際思維裡，都可結連成為一體，預見未來。
LIM Yeon-kyoung / Independent Publishing in South Korea in the 2010s (1): The Cultural Movement Reinventing Feminist and Queer Intimacies 南韓的獨立出版運動（2010以來）：重整戰友的親密
What is independent publishing’s contribution to the Feminist/LGBTQ movement in South Korea? Lim Yeon-kyoung uses new materialist and post-consumerist frameworks to examine her own field experiences. 博士研究者Lim Yeon-kyoung 在後消費主義的藍圖裡重新理解「獨立出版」的政治性、創作上的實驗性，以至對南韓本土的女性主義、同志及酷兒運動的推進所作出的貢獻。獨立出版似乎注定被拒於嚴肅的學術出版的門外，林卻用新唯物主義和演述理論的高度去討論獨立出版的追求，並以個人「實戰」去說明。
Michael Leung / ON LAND 05: A Mushroom, for a While… 「在地」五：冬菇頭。簡樸生活。
An ordinary day with a haircut in Lyon put Michael into a confessional mode of reflexive reconnection with his double citizenship … To what kind of privileged access does it entitle him? And what doors has opened to him? 梁志剛的雙重國籍或公民權對他的漂流歷程有何在地的挑戰？又打開了一些甚麼的門？
Emilie Choi / Realities from 2016: Today’s Relevance (2): what should an artists’ Union do? 2016年飄來的記憶。今天又如何？（二）- 藝術勞動，工會保障藝術家？
FP writer, Emilie Choi’s analysis continues on the question of art labor in Hong Kong. In part 2 of her report, she asks, “what should an artists’ union do?” 據點成員蔡倩怡進一步思考藝術勞動的光景四年來沒有甚麼變動，且客觀環境越來越嚴峻。她問：「工會該如何保障藝術家？」
Emilie Choi / Realities from 2016: Today’s Relevance (1): Art Labour, the Value of Being Human 2016年飄來的記憶。今天又如何？（一）- 藝術勞動，生而為人的價值
FP writer, Emilie Choi, former journalist for Ming Pao Weekly’s cultural page, recalls an investigative feature she did four years ago on the question of art labor in Hong Kong, and is dismayed that not much has advanced other than the many growing aggravations in the city. With a new introduction, she puts back in the spotlight realities we may have forgotten. 《「錄像宣言」的延伸閱讀：藝術勞工的景況：做個夜更的藝術家？》在「據點一杯茶」網上發表後，據點成員蔡倩怡不禁記起四年前她還是記者時所做過的專題訪問，驀然發覺時間過去了，藝術勞動的光景沒有甚麼變動，且客觀環境越來越嚴峻。她很想舊事重提，面對現實。這裡是翻新後的發表。
Michael Leung / ON LAND 04: Intergalactic Thinking 「在地」四：系際思維
Michael Leung shuttles between empirical planes, intellectual horizons and concrete dwellings of diverged spatio-temporal orderings… to assert research that is multi-species, and art that is energy that runs through all realms of living. 「萬物」在梁志剛的漂流路上漸成一張網，少數邊緣的、系統與系統之間的、跨族類的都可以平放或結連。思路無邊，在無政府主義狀態到專制主義運作之間，香港的形影浮現。學術研究如何實踐系際思維？
Vennes Cheng / THINK-PAD series 02: History and archive are constructed 「書寫作為思考」筆記系列二：歷史及檔案皆為構成物
Reality once again confronts us with the fallacy that “history” is a subject that concerns only those studying the humanities. Researcher Vennes Cheng takes us back to a more basic question that deems history the literacy of contemporary global citizen, asking: what is the difference between historical reality and lived reality? 歷史是唸文科的人的事這想法或許有急切矯正的必要。歷史進入我們的日常知識領域，間接導引個人和社群行動的取決，或成為在位者下令的理據。退後一步，鄭秀慧問：歷史的現實與活在當下的現實有何不同？這是當代公民的基本道德素養罷。
Emilie Choi / 【Multi-windows: viewing notes during social distancing】01 實驗視窗系列 一：封鎖下的觀影筆記
FPC member and writer Emilie Choi’s “Multi-window” is a series of notes on on-line moving image exhibitions occurring during the COVID-19 pandemic. In profiling these activities, she seeks to preserve observable details of the individual works for thorough discussion and research in future.「實驗視窗系列：疫情下的觀影筆記」將發表據點成員及寫作人蔡倩怡在網絡上所觀看的影像節目，嘗試從這些經驗中勾勒出流動影像在網絡上流轉的版圖與現象，為往後作出更具啟發性的討論。
Michael Leung / ON LAND 03: One Day We Won’t Need to Sweat (and Add Oil) 「在地」三：到那天，我們不再需要流汗（請加油）
A long journey, from the 2 years and 7 steps that firewood takes to become useful to us, to a child’s slingshot, and to the thought “We must use the methods available to us, and those I have learnt recently,” Michael Leung’s notes weave an otherly global network of peculiar relevance, entrenched on earth. 由砍樹到可燒菜取暖的柴火，兩年長的七個步驟、梁志剛的飄移體會是：「我們必須善用就在眼前已有的方法，還有剛剛學會的技巧。」創造新網絡，始於在地、留神。
Michael Leung / ON LAND 02: The Collective「在地」二：集體、群體
The individuals of a collective do things together, despite their differences. “Each person is a walking directory…” 集。群。體。正因為個別的不同，個人自主受到尊重，所以，能一起前進，共負一軛，沿途照應，你是我的地圖，我是你的另一張地圖。每個人都各自是一個索引目錄。
