The inter-play of present and past tense is deliberate in contemplating the nature of memory — the fixing of attention onto nit-bits of the chaotic ocean of the past. I am also influenced by moving image creation — every work being the negotiation between the present continuous of the camera at work and the “already-past” of its articulation. 現在進行式與過去式時態的交替共用是「不假思索」法」而來的必然對策,也是現象學的意識論的創作性延伸,在猶如汪洋大海混沌波濤翻滾的「過去」投擲零星的關注點,構成接點的「回憶」,以至構成可被陳述的「經驗」。
…the world is interpreted as a body of infinite folds and surfaces that twist and weave through compressed time and space. — Simon O-Sullivan on Gilles Deleuze> Lost Textures is the work of artist cum historiographer, Linda Lai, in collaboration with experimental artists Winnie Yan and Michelle Lee from the Floating Projects Collective (FPC) […]