Searching for tag: poetry
A poem on the event “Ferocity and Wonderment” 一首關於《殘酷與美好》的詩
Ferocity & Wonderment, on 2022.01.02-02.05, is coming to its final week of open door. Ma Wik (Joyce), one of the duo, shares a poem she wrote in the process of reconfiguring Floating Projects’ rectangular playground and “growing” the objects in it. … 馬域和汪倩的雙個《殘酷與美好》已來到最後一周。馬域一週接一週的耕耘著據點現場長方形的遊戲空間，設置改動又設置其中的小物，有感而發，寫了一首散文詩。
MA Wik + WONG Sin / Desolate Prairie And Warm Prairie 咀嚼咀嚼⋯⋯荒涼草原與溫暖草原
2022.01.02-02.05. The duo Ma Wik (Joyce) and Wong Sin (Zero) opened their “Ferocity & Wonderment” with a happening impregnated with recitation and sounds. The two artists share the text of their live reading below… 馬域和汪倩的雙個《殘酷與美好》以即興行為作序幕。聲音和朗誦一地灌滿。朗讀的文本在此分享。
Cherie Wong / 我的夢碎片 (六） –《雲彩》。圖文對話 My dream fragments 6: “painted clouds.“ Text-image dialogs.
From her pool of automatic drawings turned wooden fragments of her dreamwork, young artist Cherie Wong shows us a certain inquisitive state of mind. 王晴雯從她的木製「夢」碎片寶庫裡再掏出另一首圖文對話的詩，是尋問的現在進行式。
Cherie Wong / 我的夢碎片 (五） –《漩渦》。圖文對話 My dream fragments 5: “Whirlpool.“ Text-image dialogs.
From her pool of automatic drawings turned wooden fragments of her dreamwork, young artist Cherie Wong goes round and round in circles. An endless journey. 王晴雯從她的木製「夢」碎片寶庫裡再掏出另一首圖文對話的詩，太空無邊際，峰迴路轉卻有軌跡。
Cherie Wong / 我的夢碎片 (四) –《觀星》。圖文對話 My dream fragments 4: “Looking at the Stars.“ Text-image dialogs.
From her pool of automatic drawings turned into wooden fragments of her dreamwork, young artist Cherie Wong was watching the stars inside her own universe. 王晴雯從她的木製「夢」碎片寶庫裡再掏出另一首圖文對話的詩，在她創造的世界裡觀星。
![Cherie Wong / 我的夢碎片(三) – 爬。[電]梯。兩椿圖文對話 My dream fragments 3: Climb. Elevator. Two text-image dialogs.](https://fpchk.s3.ap-southeast-1.amazonaws.com/2020/10/liftnladder-468x328.jpg)
Cherie Wong / 我的夢碎片(三) – 爬。[電]梯。兩椿圖文對話 My dream fragments 3: Climb. Elevator. Two text-image dialogs.
From her pool of automatic drawings turned into wooden fragments of her dreamwork, young artist Cherie Wong pulls out another two to form two new dialogues as image-text poems. An obsession with movement, or is it immobility? 王晴雯從她的木製「夢」碎片寶庫裡再掏出兩片，成了兩首圖文對話的詩，像彼此勾連，又似莫不相關。爬、行，卻是移動的衝動，徘徊的辯證。
A digital star cake for October celebrants! 數碼蛋糕：送給十月份的慶生者…
To birthday boys and girls in October… It’s a month marked by monumentalism — 1st and 10th, Russia, China, KMT and more… Occupy our speaking space. Articulate. Another dialogue in poetry… 十月有人生日。別讓俄國革命、十一雙十的歷史碑誌重量大石壓死魚蝦蟹。我有我的說話空間，我有我的故事。發聲，接合。另一次雙人詩對。
Linda Lai / Montage is performance… 潛行：一次分秒秩進的蒙太奇
A videographer (Linda Lai) and a artist working on drawings (Jansen Law) in dialogue… The language of montage is invoked, contemplating time… The piece was Linda Lai’s spontaneous response to a few draft drawings Jamsen Law sent her, all from Law’s solo show, “No Details, Not Whole,” at Lumenvisum in September 2016.
Linda Lai / Temporal Being. Writing as performance. Unfolding and refolding the singular.
The inter-play of present and past tense is deliberate in contemplating the nature of memory — the fixing of attention onto nit-bits of the chaotic ocean of the past. I am also influenced by moving image creation — every work being the negotiation between the present continuous of the camera at work and the “already-past” of its articulation. 現在進行式與過去式時態的交替共用是「不假思索」法」而來的必然對策，也是現象學的意識論的創作性延伸，在猶如汪洋大海混沌波濤翻滾的「過去」投擲零星的關注點，構成接點的「回憶」，以至構成可被陳述的「經驗」。
Cherie Wong / My dream fragments 2: 2 automatic image-text shorties 我的夢碎片 (二): 兩則不假思索的圖文短話
From her 100 “fragments of fragmentary thoughts” inscribed onto painted wood pieces, Cherie Wong randomly picked two and started to open up their secrets. Cherie Wong 從她 100多塊「一個人的碎碎念」中隨機直覺的抽出兩小片來，打開它們隱藏的話匣子，聽它們娓娓道來。
