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Lee Hang-jun / Scoring Space: non-normative animated images? Rather, the direct encounter of the film apparatus
Why did Hangjun Lee choose 3 projected animated work to mark the finale of Elemental Dynamite’s summer session? He showed us animation as performance, installation, sculpturing and graphic patterning thru’ direction encounter with the film apparatus … 動畫的電影本質與互媒體潛力始於電影器具。李幸俊投影的三個作品，結合了表演、投影、裝置、雕塑和圖形組合。如此，他為「原格破裂」的夏季熱浪畫上句號。
“Elemental Dynamite” kicks off this week with rare treasures
[press release] An intimate journey with experimental animation from the US, Europe, Japan and Korea (1935-2017). In the summer kick-off of “Elemental Dynamite: Research on Intermedia Practices in Animated Pictures,” EXiS Program Director Lee Hangjun takes us through in conversations.【新聞發佈】《原格破裂 – 動畫的互媒實驗綜覽》研究計劃向我們對動畫的裡所當然發出各種問題，尋求香港的本土角度，由夏季的兩場放映會和一個現場表演開始，先著眼於世界、歷史為我們留下的珍貴足跡。
abstract animationanimationcelluloid filmElemental Dynamiteexpanded cinemaexperimental animationexperimental artFloating Projects open doorFP curatorialFP researchFP2.0HK media historyindependent animationindependent cinemaKorean experimental animationLee HangjunLinda Laimedia researchoptical printingprojection artsight and soundspatialized animationWinnie YanFP in townFP outboundFP partnershipresearchscreenings
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