眼前的一切像多年的堆積,與之共存的是看不見的已被拆毀的家族過去的小節的餘韻。說到家族,也不是家國大族的堂煌,而是一張具體的網,連接、輸送、維繫,有個物理的據點。據點藝術家劉清華的「田野」訪談,拖出了「生存」的問題。如何活?我們如何從過去走到當下?過去的可以延伸下去,因為我們記得,而且還(用方法)記住。A community art project opens the door to a street of rich family stories in To Kwa Wan (Kowloon) for FP artist Jess Lau, thus also an old family story she has not dared to touch until now. Unlike tycoon stories of a growing empire, ordinary family stories are full of “holes” irreparable yet holding together those who refuse to forget.