Searching for tag: field-notes
“Miss Dong Quartet: Miss Tung” 董小姐 –> 彤小姐。
“Field notes” series (2022) Look at That Picture begins with graduate researcher Tse Lam-hei’s close study of a drawing by local artist Ho Sin-tung, which Tse turns into a found archaeological object, tackled with rich descriptions. 研究員筆記「定睛看」系列的首篇。謝琳禧鑽進本地藝術家何倩彤的一張手繪，用考古的態度、方法，和精細調理歷史的精神，把何的圖像層層剝開。
Vernacular Geomedia Poetics from the Southwest Cliff 西南山壑的方言地理媒介詩學
張子木策劃放映：三個有關中國西南地區地質生態的活動影像作品。PhD researcher ZHANG Zimu put together a collection of 3 short-medium length videos to shed light on the reconfiguration of local/translocal geology and ecology via moving-image creation. These works were all shot in the Chinese Southwestern regions with local dialects.
Elliott Wan / HK’s Indie Music Scene (9): the Economy of Independent Production and Distribution 香港獨立音樂場景系列之九：獨立製作和發行的經濟
An Ancient Greek proverb says, “Society grows great when old men plant trees in whose shade they know they shall never sit.” If immediate profits are all that we care about, the same mainstream-Vs-independent split will repeat itself. 若要擺脫活在西歐和亞洲區的陰影下，就得重注孕育年青新一代本地獨立音樂創作人，現在就得改善土壤，為了不太近的未來。
Elliott Wan / HK’s Indie Music Scene (3): Hidden Agenda, legacy of a venue 香港獨立音樂場景系列之三
In the 3rd of his 10-part essay, Elliott Wan accounts for 5th-generation Hidden Agenda’s encounters to profile the shape of localism this live-house project has illustrated. 從 Hidden Agenda 衍化為 This Town Needs，2008-2020 並不是香港獨立音樂的完結篇。新冠肺炎從天而降，或是另一種生機的萌發。
Elliott Wan / HK’s Indie Music Scene (2): Hidden Agenda: rise and constraints 香港獨立音樂場景系列之二
How has HK’s independent music arena grown and sustained itself? What specific shape has localism taken since 2009? In the second of his 10-episode essay, Elliott Wan accounts for Hidden Agenda’s five-time threat of closure, which ironically was the result of an attempt to “(re-)vitalize” under utilized industrial space. 正是「活化」的果效，充滿活力的 Hidden Agenda 經歷了5次的關門。
Michael Leung / Hardened and Standing Together 日子變艱難，越站在一起
隨著一個月的《相遇於小誌小文學》，橫洲的居民和居所渡過了最終的清拆，土地正式地劃歸地產商的發展。展覽上有餘音，梁志剛將在「據點。句點」延續駐場直至4月14日。As “Publishing (To Find Each Other)” carried on in the month of March, Wang Chau village in Yuen Long was through its final phase of total demolition to make way for real estate developers. Many unfinished texts (writings and videos) to cover… Michael Leung’s residency at Floating Projects will take two more weeks to round up until 14 April 2021.
Michael Leung / “Solidarity with Aarey” on site (video 2 of 4) 印度阿雷的盟友團結（駐場錄像四之二）
Aarey Forest is a rich urban forest which is within the eco sensitive zone of Sanjay Gandhi National Park (SGNP). It is classified as mixed moist deciduous type forest. Leung’s video was shot in May 2018, at the time local people were experiencing deforestation by a new metro line and metro carriage depot.
Michael Leung / Drawing Paths Between 勾畫軌道，留住線索
The thickness of the present grows as a writer goes back to the past — to question the protagonists of a situation from the point of view of what they could have done and what they may become capable of. Michael Leung takes off describing how he no longer calls himself a beekeeper as multi-species solidarity becomes growingly important to him.
Michael Leung / “Bishan Village May 2015” on site (video 1 of 4) 五月碧山村（駐場錄像四之一）
Made in May 2015, Bishan Village 《碧山村》 is the earliest of the four videos in the exhibition “Publishing (to Find Each Other).”
Michael Leung / An Impossible Exhibition 駐場延伸：相遇於小誌締造可能性
Michael Leung’s “Publishing (to Find Each Other)” grows on-site through his month-long residency as he fills Floating Projects week by week with his 8-year collection and documented encounters. 駐場的一個月是片諾大的空間。梁志剛的小誌、社關活動和理念研究逐一冒現，把一個不可能的、長達八年的相遇與關係網絡的展陳、聚會變得可能。
