作為一個進深的影像活動研究者,張子木回顧剛完滿結束的羅海德首個個展(「文字機器創作集」第六輯),探出有別於一般影像創作的理路、胸襟。Zhang Zimu, advanced researcher of moving image events, sheds light on Hector Rodriguez’s unusual rationale, impulses, technical and theoretical approaches to moving-image making as critique, as were articulated in the first solo show he just completed for the the Writing Machine Collective 6th edition.
Linda Lai elaborates on a video art program she recently presented at the EXiS 2017 (Seoul) to map a trajectory of practices in contemporary video art in the Asia Pacific.
Hugo Yeung accounts for what his first solo show, What Death Tells Me, tells him about cinema. Shuttling between sound, image and story, the drifting open-ended journey amounts to a narrative mode and experience afforded only by digital data and computational cinema.