More wavering thought paths… Is remembering the same as nostalgia? What does street photography remember? Shall I be pretty, shall I be loved? What would happen to to me when I die? There are moments when you must spit it out… #4 D-Normal/V-Essay online video zine, collected and edited by Linda Lai. 記住就是懷舊了嗎?街頭攝影可記住的是甚麼?我長大後會漂亮嗎?會有人愛我嗎?我死了以後會怎樣?有些事情,確實不吐不快。… 黎肖嫻蒐集彙編,更多搖擺的思路。《平地數碼》網上錄像誌第4期。
“And then… and then…” and more … wavering thought paths… Blocked. Light flashes, time passes. During the quarantine… Reach out. Enter 2022 with a peephole of love. The forbidden zone? Accept forgetting as well as remembering… Assembled and edited by Linda Lai「然後 …,然後 …,接著 …,於是 …」被阻擋著。光閃爍著,時間過去了。隔離期間…。伸手接觸。進入2022年,進入窺洞裡的愛情。禁區?接受忘記,同時接受還記起。…《平地數碼》網上錄像誌第4期。
20 + 4 works on quarantine, isolation and (un)wavering thought path VOICES FROM THE ATMOSPHERE, issue #4, D-Normal V-Essay, , FP’s online video zine 「大氣中融融細語」,《平地數碼》網上錄像誌第4期。20+1 段關於隔離、獨思獨處的,堅定也搖擺的影像思路。
“Micro Narratives 2021: Layered Vision” at Floating Projects | 11 December 2021, 6-8pm | Linda Lai’s pedagogy: materialist cinema, agential realism…
Sofya Antonova continues Flynn Hadre’s discovery of individual perspectives to introduce personal stories told with intense photographic intervention. 有些作品值得看,就因為它是作者的個人經歷和生活的過程。繼 Flynn Hadre 的介紹,Sofya Antonova 察看到攝影和活動影像語言的震撼力;聲影不單說故事,更開創了個人經驗。
With the subject “Individual Perspectives,” Flynn Hadre discovers his fellow classmates’ works in Ventriloquists 2021 that tell an artist’s personal stories. 有些作品值得看,就因為它是作者的個人經歷和生活的過程。Flynn Hadre 從36個同伴的作品中挑出了三個可細聽細看的故事。
36 works are in dialogue at The Ventriloquists 2021 to explore narrative concepts in articulating our thoughts and sentiments. The full list of works are presented below. 三十六個作品,共同探索陳述的觀念,各自發聲,理念情感成為交流談話的起點。
Why is narrativity a relevant artistic concept in a data-driven milieu? An exhibition with 35 works speak — as videos, photomontage, installation, pictograms, creative writing and game plans, by BA students at the School of Creative Media. The Ventriloquists 2021.《腹語系。微敘思考。2021》繼續開發陳述的藝術:層層推理。逐步走,慢慢說,用豐盈的小節。
19 June 2021 六月十九日. Three video essays on living through time with one’s bodily presence. Tracey Ngai acts out her retrospection. Faith Monsod turns image objects into a passage to the infinite liminal. Pun Tsz-wai’s past resides in media artefacts and urban legends. Three fresh videos completed in May 2021, premiered at Floating Projects. 三個今年五月新鮮出爐的錄像文章。據點首次亮相。記憶是甚麼?我是誰?我的根是甚麼?用身體的實存與行動。魏芷軍演述;潘子懷在都市神話中設置自己;Faith Monsod 的主體盡在可翻開可啄蘑的聲影碎片中。
Our Manifestos II upholds videography beyond the concern of moving image aesthetics and opens up the ethics of art practices to embrace the complex, crisis-ridden contexts in which we live. In the 3rd of the 5-part series, Linda Lai maintains the necessity of manifesto-writing to be fluid, performative, dialectical practices.《我們的錄像宣言2》於「據點一杯茶」5次連載的第3篇:黎肖嫻堅持宣言寫作思維實踐上的獨立性,撇開西方現代性的歷史包袱,辯證的、演述式的、柔潤的發揮宣言的力,儘管如何短暫,有待轉化。