張子木策劃放映:三個有關中國西南地區地質生態的活動影像作品。PhD researcher ZHANG Zimu put together a collection of 3 short-medium length videos to shed light on the reconfiguration of local/translocal geology and ecology via moving-image creation. These works were all shot in the Chinese Southwestern regions with local dialects.
“PRISMATIC” is about design practices on bodily and wearable interactions. The show features a series of works and works in progress created in an MFA course Research Through Fabrication at CityU’s School of Creative Media. Research. Collaboratively learning through physical making, the artists using Arduino programming, garment making, leather working, laser cutting, wood-shopping, etc., leading to the production of the current exhibition, mentored by RAY LC.
With the outlook to understand Floating Projects itself as a collective, and to understand other collectives in order to be part of a bigger critical community with art in the core, Linda Lai wrote a personal “interim report” on FP 1.0, 2.0, and projectively FP 3.0. 黎肖嫻寫在據點 3.0 的萌生時刻。已知的,未可知卻可見的,「據點。句點」群體如何朝向更落實的參與式藝術創作?
“Sketch 2” picks up the question of what a sketch could do beyond drawing, beyond pen and paper, beyond the concept of a draft. Sketch is an extempore — on the spur of the moment, an artist encounter the many more possibilities awaiting. FPC members’ pop-up show will be kicked off by an initial assemblage event with modifications in 21 days.《再稿》– 自2018年後《稿展》再度出擊。打開「稿」的種類、載媒、應用和意義,也是「據點。句點」成員的再一次聚疊,透過展示他/她們的「稿」件,用另一種方法展示他/她們的藝術關注和創作上的路徑。21天。天天換景,重組再疊。行動就是探索。
FP new member Ray LC’s two creative monographs are now available at FP’s sales corner, adding to FP’s growing list of publication which includes anthologies, small-print catalogues, online video zines and zine series. 「據點。句點」新成員羅銳的兩個小量印刷的單行本。一本是作者自行與開源的機器學習協作的詩本創作,探究私密的情感在語文句法的衍生變奏上會變成甚麼。另一本則是對環保認知普及化的回應;收集,遊說,敘事化,一個核心,多方的場景、面貌。