Searching for tag: documentary
Vernacular Geomedia Poetics from the Southwest Cliff 西南山壑的方言地理媒介詩學
張子木策劃放映：三個有關中國西南地區地質生態的活動影像作品。PhD researcher ZHANG Zimu put together a collection of 3 short-medium length videos to shed light on the reconfiguration of local/translocal geology and ecology via moving-image creation. These works were all shot in the Chinese Southwestern regions with local dialects.
Linda Lai / Code Name “Micro Narratives”: initiations into our Manifestos 行動代號「微敘事」。宣言的啟動。
An epilogue written on 22 June 2018 by Linda Lai for Videography. Micro Narratives. Temporal Beings. Our Manifesto / 2018]***黎肖嫻為《我們的錄像宣言》（2018）寫於2018年6月22日的「結語」。
Winnie Yan / 談畢業展、實驗、語言和影像 – <大頭落山：畢業作品放映會> 放映札記 Graduation show, being experimental, language and images: “be the rolling stones”
“Be the rolling stones,” an alter graduation art show, ignited discussions on experimental actions and moving images as the makers’ unique connection with the lifeworld. Winnie Yan interviewed some of the participating artists…
Vanessa Tsai / 圓圈。圈圓圓 Circle of Life
***This article is the author’s personal response to a Taiwan-made documentary <生命的圓圈> (Circle of Life) by 許慧如 about a teenage single mother. 隨風盤旋的風箏，會飛向何處？
Vanessa Tsai / Dusty Bin Dreams (notes) 垃圾堆中的夢想
***This is Vanessa Tsai’s viewing notes of a documentary: Dusty Bin Dreams (Eriss Khajira, 55m58s, English Subtitles) by EO Documentaires on Vimeo Dusty Bin Dreams was shown in Taiwan at the 2015 Taiwan International Ethnographic Film Festival, 4 October 2015. [discussions and details… ] 垃圾堆中的夢想 / 蔡季妙 Vanessa Tsai 夢想，在熱情的音樂、開朗的笑聲中開始，場景始於厄蕊絲‧哈吉拉（Eriss Khajira） 導演充滿愉悅的大臉，故事始於東非的丹多拉垃圾場（Dandora dumpsite）。拍這部片， 哈吉拉從心審視了她生活周遭的一切，那些在她生活裡經歷的人、事、物。 東非丹多拉垃圾場有什麼特別的呢？該是有很多人依靠「垃圾場」過活吧！佔地六十英畝的丹多拉垃圾場，可以有什麼？什麼都有！有漫天飛舞的塑膠袋、色彩繽紛的 衣物、還有很多來此覓食的大鸛鳥，更有「教科書」（一位片中人物）最愛看的書！「就是很大的 […]
Lilian Fu / Animating subjective facts: The reasons and methodologies of exploiting animation in documentaries.(Part 2)
written by Lilian Fu 2013 ** this version is slightly amended for internet publication. Various reasons and methodologies in animation documentary CASE STUDIES Animation is an art, a stance, a record of psychological and emotional memory, a technique, a concept. ~ Paul Well (1) Animation, like paintings and drawings, was once conceived as a pale representation of […]
Lilian Fu / Animating subjective facts: The reasons and methodologies of exploiting animation in documentaries.(Part 1)
written by Lilian Fu 2013 **This article is originated from parts of my MA degree graduation dissertation. A general exploration of documentary theories In recent years, the border between documentary and fiction films has been growing more difficult to be distinguished. Suggested by Linda Williams, the new definition of documentary films is no longer focused […]
Evans Chan’s ‘Two or Three Things about Kang Youwei’ 康有為二三事 (2012) & ‘Bauhinia’ 紫荊 (2002)
Press Screening: Friday, 7:00pm, April 13, 2012 @ Floating Projects Collective / 放映後設有酒會。 Press Screenings of 2 works by director Evans Chan 陳耀成 《紫荊》Bauhinia (2002) Hong Kong, color, drama, in Chinese and English, with English and Chinese subtitles. 50 min. Commissioned by RTHK/香港電臺電視台邀約作品 (*Hong Kong premiere香港首映) 紐約2001 年。一位洋名為「紫荊」（李珺）的香港女留學生，正製作一部有關中國一子政策的記錄片。9/11恐怖襲擊突然發生，她剪接室的窗下是巳夷為平地的世貿中心。而她剛有了身孕…夏威夷電影節的Christopher Claxton 形容此片「泯滅了虛構與記實，創造出一個同時魘着片中人及觀眾的時空，令這不加渲染的9/11後的紐約更貼近人的生存的困境」。 In the aftermath of September 11, […]
Documentary Animation ‘Ever-changing Monument’ by Lilian Fu
傅詠欣 Lilian Fu’s latest work Ever-changing Monument is a documentary animation funded by the Hong Kong Arts Development Council (ADC). Public Screening: November 26, 2011 7:00p.m. at FPC ****** Ever-changing Monument 7 minutes / 2011 / Hong Kong/United Kingdom A work of animated documentary by Lilian Fu 傅詠欣 In this project, I […]
Linda Lai / The Signature of Documentary – thoughts from Open City London Documentary Festival 2011
To Linda C.H. LAI, documentary is a total event that cannot be fully considered without taking into account the intention of the maker, relation between the maker and the documented, the use of the work in its life-span of distribution and circulation, the conversations it invokes, and ...
