Searching for tag: journeys-of-the-self
Cherie Wong / 我的夢碎片 (四) –《觀星》。圖文對話 My dream fragments 4: “Looking at the Stars.“ Text-image dialogs.
From her pool of automatic drawings turned into wooden fragments of her dreamwork, young artist Cherie Wong was watching the stars inside her own universe. 王晴雯從她的木製「夢」碎片寶庫裡再掏出另一首圖文對話的詩，在她創造的世界裡觀星。
![Cherie Wong / 我的夢碎片(三) – 爬。[電]梯。兩椿圖文對話 My dream fragments 3: Climb. Elevator. Two text-image dialogs.](https://fpchk.s3.ap-southeast-1.amazonaws.com/2020/10/liftnladder-468x328.jpg)
Cherie Wong / 我的夢碎片(三) – 爬。[電]梯。兩椿圖文對話 My dream fragments 3: Climb. Elevator. Two text-image dialogs.
From her pool of automatic drawings turned into wooden fragments of her dreamwork, young artist Cherie Wong pulls out another two to form two new dialogues as image-text poems. An obsession with movement, or is it immobility? 王晴雯從她的木製「夢」碎片寶庫裡再掏出兩片，成了兩首圖文對話的詩，像彼此勾連，又似莫不相關。爬、行，卻是移動的衝動，徘徊的辯證。
Linda Lai / Temporal Being. Writing as performance. Unfolding and refolding the singular.
The inter-play of present and past tense is deliberate in contemplating the nature of memory — the fixing of attention onto nit-bits of the chaotic ocean of the past. I am also influenced by moving image creation — every work being the negotiation between the present continuous of the camera at work and the “already-past” of its articulation. 現在進行式與過去式時態的交替共用是「不假思索」法」而來的必然對策，也是現象學的意識論的創作性延伸，在猶如汪洋大海混沌波濤翻滾的「過去」投擲零星的關注點，構成接點的「回憶」，以至構成可被陳述的「經驗」。
Cherie Wong / My dream fragments 2: 2 automatic image-text shorties 我的夢碎片 (二): 兩則不假思索的圖文短話
From her 100 “fragments of fragmentary thoughts” inscribed onto painted wood pieces, Cherie Wong randomly picked two and started to open up their secrets. Cherie Wong 從她 100多塊「一個人的碎碎念」中隨機直覺的抽出兩小片來，打開它們隱藏的話匣子，聽它們娓娓道來。
Cherie Wong / My dream fragments 1: Understand or communicate? Fragments of my fragmentary thoughts 我的夢碎片 (一): 想了解，卻沒有踏出溝通的一步 // 一個人的碎碎念
好奇心驅使之下，Cherie Wong 讀佛洛依德的理論，希望能從心理分析、潛意識和夢中認識自己。答案雖然並沒有像劇本般理所當然地走出來，她卻找到另一個切入點去看這個問題。To understand how her personality was formed, Cherie Wong delved into Freudian concepts. Psychoanalysis, unconsciousness and dreams interpretation do not result in a clearer picture of who she is, and yet she landed on new artistic possibilities.
Natalie Chao / Wilderness poems #5: “the land of logs”
Wilderness Poems #5, image & text by Manifesto 2 artist Natalie Chao 錄像宣言2創作人趙芷妮《荒野詩》系列作品 5.
Natalie Chao / Wilderness poems #4: “Close your eyes and tell me…”
Wilderness Poems #4, image & text by Manifesto 2 artist Natalie Chao 錄像宣言2創作人趙芷妮《荒野詩》系列作品 4.
Natalie Chao / Wilderness poems #3: “Indonesia, no video”
Wilderness Poems #3, image & text by Manifesto 2 artist Natalie Chao 錄像宣言2創作人趙芷妮《荒野詩》系列作品 3.
Natalie Chao / …in their dreams they will see where I went (Wilderness Poems #2)
A second one in video Manifesto 2 artist Natalie A. Chao’s “Wilderness Poems” series, in connection to her video work Are We all Wilderness. 錄像宣言2創作人趙芷妮《荒野詩》系列作品2.
Natalie Chao / Are We All Wilderness? – camera, image, ‘you’ and the becoming 我們都是荒蕪之地
In our recent video Manifesto 2 Artists’ Workshops, Natalie A. Chao said the camera was there to protect herself on the many street events in Hong Kong since 2019. She questioned the camera’s invasive nature and wonder how her camera thinks. Textualizing images she “gleaned” in writing is then a necessary part of the imaging event. Here is a set of notes Natalie wrote while reflecting on a film she made, Are We All Wilderness? (2019), revised this year.
