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Why and how I made Gingerbread Man’s Destiny, notes to a pop-up show 薑餅人命運的聯想:動物平權創作手記

Why and how I made Gingerbread Man’s Destiny, notes to a pop-up show 薑餅人命運的聯想:動物平權創作手記

“Is double standard the emblem of our social reality?” — Niki Siu’s annotations on her week-long POP-UP “Laugh At Last: Gingerbread Man’s Destiny” at Floating Projects, 8-14 May 2021, the result of a half-year long thesis-art production.「雙重標準是社會現實的代表?」蕭麗琦為她的畢業論文作品作註腳,從民間流傳的故事薑餅人說起。

A point and its divergence (quarantine diaries 05) 衍生性的想像 (隔離手記 05)

A point and its divergence (quarantine diaries 05) 衍生性的想像 (隔離手記 05)

Quarantine fantasia… an evolving list of moving images. Linda Lai’s quarantine diaries 05. 隔離狂想。不斷連線的活動影像。黎肖嫻「隔離手記」第5篇。

The Ventriloquists 21. Coda. Highly appraised works at “The Ventriloquists…Thinking Narratively” 《腹語系》佳作選出,展覽放映研討圓滿結束。
The Ventriloquists 08. Animated, Moving, Half-awake. 9 montage pieces quietly thinking 動動象,喃喃自語,半夢半醒。
The Ventriloquists 07. An Open Book that Moves, 8 thoughts streaming on a flat surface. 動動書。8種停留在桌面上的不安
The Ventriloquists 06. From Dreamwork to Dream Narrative, 6 videos 夢境。夢作業。夢作為敘事法。夢作為藝術語言。

The Ventriloquists 06. From Dreamwork to Dream Narrative, 6 videos 夢境。夢作業。夢作為敘事法。夢作為藝術語言。

Five Ventriloquists artists show their dreamwork created with their own audio-visual language. It all lies in the crevices, fractures and gaps between shots, between locations, between actions… 夢作業是人存在的無形證據,實在處在夢象與夢象之間,在夾縫中,在虛處,在結合之間的斷裂處,是眾數的斷層。《腹語系》創作者也參與構築夢的敘事語法。

Floating Projects Collective 2024