Category: FEATURES 專題
據理力爭，深入分析，唯心唯物。思考是行動。Advance your argument. Analysze what you've experience. Idealist or Materialist: thinking is making; thinking is acting out.
Manifesto 2 team / Documentary impulses: what to remember, how to remember (1) 紀錄的衝動：如何記住，記憶的實作（一）
Manifesto 2 artists have started to meet on-line to examine the what, why and how of their videographic practices as ways to remember. This is the first of a series to report on the artists’ conversations. We kick off with team-members’ words from Linda Lai, Winsome Wong and Elaine Wong on how they envision the project. 「錄像宣言2」的創作者的在線對話已經啟動，將在此園地陸續發表。首先，團隊成員的其中三位 – 黎肖嫻、黃慧心、黃淑賢 — 先來道出這次計劃點滴心思與憧憬。
Linda Lai / Code Name “Micro Narratives”: initiations into our Manifestos 行動代號「微敘事」。宣言的啟動。
An epilogue written on 22 June 2018 by Linda Lai for Videography. Micro Narratives. Temporal Beings. Our Manifesto / 2018]***黎肖嫻為《我們的錄像宣言》（2018）寫於2018年6月22日的「結語」。
Lilian Fu / Animating subjective facts: The reasons and methodologies of exploiting animation in documentaries.(Part 3)
written by Lilian Fu 2013 ** this version is slightly amended for internet publication. Various reasons and methodologies in animation documentary CASE STUDIES Silence (1998/Sylvie Bringas and Orly Yadin) Silence has an alternative approach as a documentary which narrates a damaged orphan’s childhood against the background of the Holocaust during Second World War. It proposes comprehensive strategies […]
Lilian Fu / Animating subjective facts: The reasons and methodologies of exploiting animation in documentaries.(Part 2)
written by Lilian Fu 2013 ** this version is slightly amended for internet publication. Various reasons and methodologies in animation documentary CASE STUDIES Animation is an art, a stance, a record of psychological and emotional memory, a technique, a concept. ~ Paul Well (1) Animation, like paintings and drawings, was once conceived as a pale representation of […]
Lilian Fu / Animating subjective facts: The reasons and methodologies of exploiting animation in documentaries.(Part 1)
written by Lilian Fu 2013 **This article is originated from parts of my MA degree graduation dissertation. A general exploration of documentary theories In recent years, the border between documentary and fiction films has been growing more difficult to be distinguished. Suggested by Linda Williams, the new definition of documentary films is no longer focused […]
Lilian Fu / ‘The Street of Crocodiles’ and its enigma
– Lilian Fu Inspired by Czech animator Jan Švankmajer and other absurdist artists like Kafka and Bruno Schulz, the Brothers Quay has a long lineage with surrealism and the use of puppet stop-motion. The duet remains two of the unsurpassed animators in the world for its original vision and techniques. You would not find it easy […]
Kimburley Choi / Walking fields & the critique of flâneuse – preview notes #6 for FPC’s 1st exhibition
Kimburley Choi's reading of Linda Lai's video tale of cities… Trespassing World Cities 《搖擺過路人》(2005) is a composite of Linda Lai’s tourist-video-style travelogues. Choi proposes the need to inscribe the term "flâneuse" to highlight a gender dimension that "flaneur" may slight.
Linda Lai / Minor histories… the poetic and the discursive / preview notes #5 for FPC’s 1st exhibition
– Linda C.H. Lai Voices Seen, Images Heard (2009), which will be shown for the first time in Hong Kong, tonight at FPC’s inauguration, has been shown in two different festivals in April, 2010. I have been most enlightened by the various ways audience, critics and curators communicated back to me about my work. […]
Lilian Fu / Remembering, Recollecting, Animating, Enlivening… – preview notes #2 for FPC’s 1st exhibition
"Imagining My Grandmother” (Lilian Fu / 2010 / video-animation) 記起、回顧、賦形、喚生… To Lilian Fu , in many ways, animation and recollection have strong affinities and may form the most interesting assemblages.
