Author's post:
Notes from Fogo Island (1): the time and rhythm of passing through 福戈島手記之一：過渡、穿越、時間、節奏
時間在行走過境之際只能感悟，一片接一片的直觀，以文字去捕捉，只能算是一連串的試圖。黃慧心到北美東角的福戈島進行三個月的駐留藝術創作。身體力行，過香港未必體驗到的生活。
Two to three things about Father’s recollection of his parents 1960s-80s, and the untold facts of his writing journey 有關父親的回顧和上世紀文字活動的二三事：我的二十一世紀回望
Taking her work as an open-journey in progress, Winsome Wong's "Blanks in the Pictures" are partially filled her father’s writings which take her to new discovery. Her response to father’s piece...黃慧心的《照片的空白》因著父親的寫作而豐滿了？發問的行動和帶關注的好奇心，刷新了黃慧心的創作模式。唸完父親的述說，對父親、祖父母和一九六零年代有了新的感觸。
Blanks in the Pictures 照片的空白
Recollection of family members are too fragmentary for Winsome Wong to piece together a wholesome understanding of her father, grandparents and the times they struggled through in the 1960s-80s, when she was not yet born. She turned the blank spaces into a journey of research and conversations, and the quest for photographic truths. 出生於祖父母和父輩掙扎成長之後的黃慧心，無法從他們口中得知1960-80年代的他們和香港的實際存在。如何填補這個空白？於是她先由他們以前工作的地方開始，然後透過與爺爺翻看在他和嫲嫲家中家庭照片…。感謝照片和照相機的存在。
Winsome Wong / 𝑳𝒐𝒓𝒏𝒂’𝒔 𝑷𝒂𝒓𝒕𝒚 (Hong Kong, the Philippines) 安娜的派對，香港、菲律賓。
Space-action-interpretation. Cluster-distribution. Network-dispersion. Three locales. Distanced intimacy. Past is the present. FPC member Winsome Wong’s first solo at the Floating Projects. 以空間實作為演繹。簇的分配成為延散的網路。三種實地，遙遠的扣緊。從前就在當下。「據點。句點」成員黃慧心首度據點打開門。
