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Notes from Fogo Island (1): the time and rhythm of passing through 福戈島手記之一:過渡、穿越、時間、節奏

Notes from Fogo Island (1): the time and rhythm of passing through 福戈島手記之一:過渡、穿越、時間、節奏

時間在行走過境之際只能感悟,一片接一片的直觀,以文字去捕捉,只能算是一連串的試圖。黃慧心到北美東角的福戈島進行三個月的駐留藝術創作。身體力行,過香港未必體驗到的生活。

談「縫補歲月」,冀「歷史毋忘」On the Mending Years, and How to Fill in the Gaps of History

談「縫補歲月」,冀「歷史毋忘」On the Mending Years, and How to Fill in the Gaps of History

How not to forget history? Wai-leung Lai turns to the concrete contribution of an object-based approach in installation art, following up on his last piece on the show Mending Years to assert the place of the non-expert in completing an art event as a form of social commemoration. 據點作者黎偉亮要求「歷史毋忘」要具體,也許在以「物」為軸的場域特定展覽《縫補歲月》中,他找到了裝置藝術所盛載的一點貢獻。

The Past or the Present: on the Exhibition “Mending Years” 昨天還是今天 - 《縫補歲月》展覽

The Past or the Present: on the Exhibition “Mending Years” 昨天還是今天 - 《縫補歲月》展覽

[Mending Years 縫補歲月] Curator Ying-chi Tang sees the present in the 5 stories of the past that harp back onto the 1960s-1970s, arguing that the public and domestic are integrally one, as the artists in the group show present. 策展人鄧凝姿眼中的「縫補歲月」不單是上世紀的六七十年代,也是構成今天的一部份;透過五位創作者的視野,她看見公共領域和家居細活之間的千絲萬縷。

Ideas Blossom on Contemporary Living: Floating Projects @ BOOKED 2023, Taikwun 思緒的聚疊:「據點」小誌天南地北。大館書展2023
Winsome Wong / 𝑳𝒐𝒓𝒏𝒂’𝒔 𝑷𝒂𝒓𝒕𝒚 (Hong Kong, the Philippines) 安娜的派對,香港、菲律賓。

Winsome Wong / 𝑳𝒐𝒓𝒏𝒂’𝒔 𝑷𝒂𝒓𝒕𝒚 (Hong Kong, the Philippines) 安娜的派對,香港、菲律賓。

Space-action-interpretation. Cluster-distribution. Network-dispersion. Three locales. Distanced intimacy. Past is the present. FPC member Winsome Wong’s first solo at the Floating Projects. 以空間實作為演繹。簇的分配成為延散的網路。三種實地,遙遠的扣緊。從前就在當下。「據點。句點」成員黃慧心首度據點打開門。

Manifesto 2 team / “Documentary Impulses” Book Launch meeting series 01 《記述的衝動》新書發佈見面系列 01
Home-making 3: visions of home & its making 間房要不要牆? 3 – 築室

Home-making 3: visions of home & its making 間房要不要牆? 3 – 築室

10 artists on “home” and its ramifications on-site exhibition until 26 July 2019 | 2nd screening + forum: Saturday, 20 July 2019, 6:00-10:00pm 李偉盛 Shing Lee on home-making… 阿嫲走了,但陪她走過的加州陽光,還陪著我走 Granny left us, but the Californian sunshine that once accompanied her never left. about the artist… 香港獨立電影人。2011年於香港知專設計學院畢業。自從2014年他的首部作品入圍台灣南方影展後,便開始從事獨立電影製作。期後,他到采風電影和北京草場地深造紀錄片拍攝。在2016至2018年期間,他與中國獨立紀錄片研究會的合作,讓他得到更多製作獨立紀錄片的機會。近期,他透過香港大學的香港紀錄片拓展種子基金完成了作品《團團圓》,並獲得第二十四屆ifva獨立短片及影像媒體比賽金獎(公開組)。 Hong Kong independent filmmaker. Graduated from Hong Kong Design […]

Home-Making 2: Marking Space 間房要不要牆? 2 – 創造空間
Home-Making: do we need walls for our habitat? 間房要不要牆? – 日常飲像影食(3)

Home-Making: do we need walls for our habitat? 間房要不要牆? – 日常飲像影食(3)

In “Home Making” (“Have a Balanced Diet” #3, 2019.07.12-26) FP member Ding Cheuk-laam and 14 other artists/researchers extend the quest for experimentation as a general attitude of life to home-making. What kind of habitats do we seek to create? How have we actually constructed our home via artistic imagination?「 間房要不要牆? 」是FP成員丁卓藍發起的《日常飲像影食》系列的第3部,連同14為創作和研究者繼續堅持實驗(性)作為一種整體的生活態度,並以房子這個熟悉而具體的日常空間為前題,看如何因著創作的行動,人的主體與媒體技術的互相啟發,「家」、房子就成了發聲運動的起點。

Floating Projects Collective 2024