Searching for tag: time-and-space
Yan Wai-yin: Too Long Ago, Not Far 忻慧姸：《在不太遙遠的很久以前》
Too Long Ago, Not Far, Winnie Yan's FPC open door solo (2023.09.16-10.08), turns the play with sight-and-sound fragments into a subjective-materialist time and space asserting a decentred subject. 《在不太遙遠的很久以前》 (據點打開門個人發表 202
《海濱》 （創作性短篇）”Riveria” (creative writing)
In one long take in words, perhaps with folds of internal montage, Martin Yeung takes us into a zone of truncated space, automatic acts and fragmented speech, like the hollow in a cracked mirror. Familiar or not, it is Yeung’s way to conclude his four years of undergraduate education. 楊錫齋站在四年大學畢業峰涯留下的足跡？這短篇像夢，同時是厚潤的筆觸，一筆到底，形骸飄晃著，細緻綿密，卻只聽見回音。她一句又一個她的再一句，似曾相識。一鏡到底。折叠無盡的蒙太奇。
Loose ends: the dinosaur returns (quarantine diaries 06) 綿碎的日常：跨越對恐龍的想像 (隔離手記 06)
The final of Floating Teatime editor Linda Lai’s quarantine diary series. What are days going to be like ahead of her? 黎肖嫻「隔離手記」告一段落。往後的日子會是怎樣的？
NGAI Tsz-kwan / A Trip to “There” — an indefinite journey that fuels itself 在記述的軌道上作內部連結：《我在追憶，我在追，我在》
It is perhaps a maker’s natural obsession to narrate oneself, deliberately or not, but through one’s life-time. A Trip to There, Tracey’s graduation thesis, is in a way a monumental push to enter this journey in flux. Embracing all she can, there also always seems to be void to fill. Traces of her having been there are as concrete with a forensic rigor. 每個創作者都曾經 — 以至窮盡一生 — 有意識或不自覺的記述自我。年青藝術創作人魏芷軍很用力的穿過這甬道，滿滿的收穫，卻又惘然若失。實在的卻是用時間和身體鑄出來的創作道途。愛看（錄像）作品的朋友們：這裡，你會讀到一個認真地記下來的寶貴創作歷程。潛進後，我們會對藝術的耕耘多一份敬意嗎？
![Hector Rodriguez / [revised] Notes on Foucault’s Heterotopia – 3 福柯的「異托邦」（筆記三）](https://fpchk.s3.ap-southeast-1.amazonaws.com/2020/06/Diamond_Princess-468x328.jpg)
Hector Rodriguez / [revised] Notes on Foucault’s Heterotopia – 3 福柯的「異托邦」（筆記三）
Heterotopia, next to its spatial otherness, constitutes an alternative temporal ordering, giving an impression of timelessness, or emphasizing the transitory and the ephemeral. Heterotopias are produced, with a transformative tendency, and cannot be reduced to readymade methods or generalization of types.「異托邦」在空間性和時間性上都擁有其另類的秩序。它不是任何別的空間正因為它有自己的時間組織。如何把「異托邦」推進為帶有「轉化」力的實踐？這比簡化「異托邦」為普遍值更為重要。
![Hector Rodriguez / [revised] Notes on Foucault’s Heterotopia – 2 福柯的「異托邦」（筆記二）](https://fpchk.s3.ap-southeast-1.amazonaws.com/2020/06/heterotopia_medical-ed-468x328.jpg)
Hector Rodriguez / [revised] Notes on Foucault’s Heterotopia – 2 福柯的「異托邦」（筆記二）
Heterotopias as spatial realities confront us with the need to undo established syntax and linguistic categories as they do not exhaust all the possibilities open to visual experience. New orderings are always possible which fall outside our customary expectations. 思考異托邦的涵義有助我們打開我們的社會政治的想像，不住尋求另類的思考和行動模式。異托邦是一套語彙，要求我們在論述語言上的更新，開拓新的語彙就是開拓新的秩序。
Hector Rodriguez / Notes on Foucault’s Heterotopia – 1 福柯的「異托邦」（筆記一）
「異托邦」：我們都活於空間的時代。異托邦是論述的空間，網絡的空間，社會的空間，思維的空間，效率操控的空間…卻絕對不是單一、單向的空間。 In 3 parts, Rodriguez’s reading report traces the centrality of space cutting through Michel Foucault’s corpus through the concept of “heterotopia.”
