Searching for tag: documentary-impulse
On Documentary Impulse: the desire to encounter the real through making records (2) 記述的衝動：長路漫漫（二）
In part 2 of her discussion on documentary impulse, Linda Lai keys in on “there-ness” as a specific form of desire manifested in image-making in French cinema between the two world wars. With additional historical examples, she contemplates moving image’s integrity in connecting and re-inventing our experiences as technics.「記述的衝動」的下半部，黎肖嫻專注於電影記述、保存、調解和開創現實的「他在」的個性，尤其以法國二次大戰期間的電影實存和理論發展，和紀錄片的被命名為特殊的歷史個案，再談到活動影像作為連結經驗的獨有的內部技術。
On Documentary Impulse: the desire to encounter the real through making records (1) 記述的衝動：長路漫漫（一）
First of 2 parts of Linda Lai’s Epilog for Our Manifestos II (2021) reproduced in Floating Teatime. Our desire to remember, preserve, transmit and retrieve drives the continuous innovation of technics, i.e. tools that embody and advance our perceptual experiences. Videography is a unique form of mnemotechnics. 記述的衝動超越了既成特定類型的「紀錄片」有更廣闊的空間。「紀錄」的初衷是《我們的錄像宣言2》（2021）的跋的主題，將分兩次於「據點一杯茶」轉載。第一部份，黎肖嫻引述不同不同的藝文創作為實例，指出我們要記住、保存、傳遞開去的衝動，推動著工藝技術的發展，打開了我們對「經驗」的重塑的新可能。
Linda Lai for FP / Fresh videos, in-depth transformation: 3 thoughtfully crafted journeys of the selves 三種深度轉化：三段不一的旅程
19 June 2021 六月十九日. Three video essays on living through time with one’s bodily presence. Tracey Ngai acts out her retrospection. Faith Monsod turns image objects into a passage to the infinite liminal. Pun Tsz-wai’s past resides in media artefacts and urban legends. Three fresh videos completed in May 2021, premiered at Floating Projects. 三個今年五月新鮮出爐的錄像文章。據點首次亮相。記憶是甚麼？我是誰？我的根是甚麼？用身體的實存與行動。魏芷軍演述；潘子懷在都市神話中設置自己；Faith Monsod 的主體盡在可翻開可啄蘑的聲影碎片中。
NGAI Tsz-kwan / A Trip to “There” — an indefinite journey that fuels itself 在記述的軌道上作內部連結：《我在追憶，我在追，我在》
It is perhaps a maker’s natural obsession to narrate oneself, deliberately or not, but through one’s life-time. A Trip to There, Tracey’s graduation thesis, is in a way a monumental push to enter this journey in flux. Embracing all she can, there also always seems to be void to fill. Traces of her having been there are as concrete with a forensic rigor. 每個創作者都曾經 — 以至窮盡一生 — 有意識或不自覺的記述自我。年青藝術創作人魏芷軍很用力的穿過這甬道，滿滿的收穫，卻又惘然若失。實在的卻是用時間和身體鑄出來的創作道途。愛看（錄像）作品的朋友們：這裡，你會讀到一個認真地記下來的寶貴創作歷程。潛進後，我們會對藝術的耕耘多一份敬意嗎？
Linda Lai / The material form of remembering: thought paths and mute speech: In Defense of Manifestos (2) 「記好」的物質性，思路啞音微敘事：繼續宣言（2）
The “Prolog” of “Our Manifestos II” (2021.05) explicitly examines videography as a way of living, an attitude of life, and the quest for in-depth transformation in the midst of complex, crisis living. In the 2nd of the 5-part series, Linda Lai discusses videography as soundings, ways to voice out as crafted thought paths, the materiality of remembering as micro narratives.《我們的錄像宣言2》於「據點一杯茶」5次連載的第2篇：黎肖嫻開宗明義把錄像書寫看為一種創作人的活的型態和取向，以至於對深度轉化的渴求。如是，對錄像書寫的認知遠超狹義的藝術操守和理所當然的影像美學。這次，她提出了錄像書寫作為「發聲」的藝術的面向。「記住」，必須透過「思路」的展現，而這就是錄像的「微」敘事性格。
Linda Lai / Preserving the Energy of Videography: In Defense of Manifestos (1) 就為了滋養創造知識的能量，繼續宣言（1）
The “Prolog” of “Our Manifestos II: Videography, Documentary Impulses” (2021.05) explicitly examines videography as a way of living, an attitude of life, and the quest for in-depth transformation in the midst of complex, crisis living. In 5 parts, project initiator Linda Lai relates the process of the book-creation project and the different takes of the many artists involved. Part 1 describes the meandering journey. 「據點一杯茶」將以5次短篇連載《我們的錄像宣言2：記述的衝動》的序言。黎肖嫻開宗明義把錄像書寫看為一種創作人的活的型態和取向，以至於對深度轉化的渴求，以對應如何活在繁複、糾結、充滿噪音的當下。如是，錄像書寫的認知和反省遠超狹義的藝術操守和理所當然的影像美學。首篇記述召集各方創作人合力分享所穿過的崎嶇過程。
Natalie Chao, Linda Lai / Postscript 2 to Manifestos 2’s 2nd book launch conversation 錄像宣言2新書發佈網路研討後記：更多對話
“Motives for. Remembering,” the 2nd book launch conversation for Our Manifestos 2: Videography, Documentary Impulses took place on-line 28 May. The conversations continue as Natalie Chao wrote to Linda Lai after her postscript with Zach McLane, this time, delving into how our body remembers and why manifesto-writing will not be obsolete. … 「錄像宣言2」新書發佈會2 — 網絡研討會『為何要記住』5月28日在據點舉行。繼 Zach McLane 傳來研討後記，另一位年青影像創作人趙芷妮又透過電郵與黎肖嫻進行跟進討論，想起身體如何記住，為何還要寫宣言。
Manifesto 2 team / “Documentary Impulses” Book Launch meeting series 03《記述的衝動》新書發佈見面系列 03
Book Launch. Celebration. Meet the Artists. Third book launch event (in Cantonese), 6 June 2021, introduces 4 of the 49 teams/artists in OUR MANIFESTOS 2, to give us a foretaste of the works and personal manifestos in the 365-page book, released on 2 June 2021. ALL are welcome. The new book will be available for sale.
Emilie Choi / 「錄像宣言2」：如此時代，我們如何記錄？Manifesto-2: In such a time… how do we document?
***Our Manifesto 2: Videography, Documentary Impulse will be out end of April. Please stay tuned. Manifesto 2 team member Emilie Choi connects the project to the current HK context.《我們的錄像宣言2：記述的衝動》將於2021年4月底面世，請密切留意。計劃工作隊成員蔡倩怡率先作引，從當下的香港看錄像書寫的特殊意義。
Winnie Yan / Proper Nouns: Confession on ending things with “Localized Blindness” 專有名詞－以《局部失明》作結的自白
Localized Blindness (2019-2020) is Winnie Yan’s most recently completed video work, for Manifesto 2. She spotlit the backstage of the work’s making process, performing the complex world of thoughts and emotions traversing within. 忻慧妍的《局部失明》含蓄如密碼佈陣，定睛創作的後台是另一種風景。與其說是心情和動機上的剖白，不如說是現在進行式的隨著她的思緒找發聲的調韻。聽一個人所訴之白跟看著一個人訴白，是兩個不同的經驗，都源自記錄的衝動。
