夢。林建才手繪。英倫小城遙祭香港。2019年10月。劉清華組合選輯。”Dreaming,” Kin-choi Lam’s solemn thoughts on Hong Kong from Cambridge, UK. October 2019. Jess Lau selection.
一分一秒。林建才手繪。英倫小城遙祭香港。2019年10月。劉清華組合選輯。”Prison,” Kin-choi Lam’s solemn thoughts on Hong Kong from Cambridge, UK. October 2019. Jess Lau selection.
在一起。林建才手繪。英倫小城遙祭香港。2019年10月。劉清華組合選輯。”Together,” Kin-choi Lam’s solemn thoughts on Hong Kong from Cambridge, UK. October 2019. Jess Lau selection.
日子。林建才手繪。英倫小城遙祭香港。2019年10月。劉清華組合選輯。”Days,” Kin-choi Lam’s solemn thoughts on Hong Kong from Cambridge, UK. October 2019. Jess Lau selection.
命。林建才手繪。英倫小城遙祭香港。2019年10月。劉清華組合選輯。”Life,” Kin-choi Lam’s solemn thoughts on Hong Kong from Cambridge, UK. October 2019. Jess Lau selection.
街上的人。林建才在英倫小城隔岸想香港。2019年10月。劉清華組合選輯。”People on the streets.” Kin-choi Lam’s Hong Kong in his mind’s eye while he’s away in the UK. October 2019. Jess Lau selection.
Individual works from “Nothing Can Come Closer”: Lam Kin-choi, Wong Fuk-kuen《無法取得位置》作品逐個講:林建才、黃福權
9 FPC artists stretch the possibilities of the moving image — the projecting apparatus, the projected image, the moving and projecting processes, projected surfaces, how and where… 九位「據點。句點」藝術家心目中的活動影像的膨脹性、膨脹度是怎樣的?他們多方對策:投影的器具、所投的影像何來、成像的過程、展示影像的「面」…