Author's post:
聚疊的各種天氣 The weathers of the assemblage-assemblies
It takes many brains and strong desires to subvert a bulk of junk — Fuk-kuen Wong looking back at the Assemblage events in May and June 2022. 要顛覆一堆垃圾，確實需要大量腦汁＋動手的慾望。黃福權回望兩個月來的石硤尾「聚疊」重探。
石池上的文字性聲音風景 (a textual soundscape on a pool of pebbles)
黃福權把在遊走和行山時收錄到的竹林、海灘、飛過的航班、機場鐵路、拉膠紙等聲音元素，散種在油街一個半個足球場大小的卵石池上。是記錄、實驗、追憶、信物…。Fuk-kuen Wong planted sounds he collected from everyday walking and hiking trip onto a pool of pebbles of half-size of a soccer field on Oil Street. His recordings are documentation as much as token and gift for memories to pass.
2022 Assemblage: warming up 「石硤尾聚疊」2022 熱身
究竟是什麼原因，一段津津樂道的歷史，一個大家認為具代表性的活動，最後變成了文化遺產？ What does improvization look like? Here’s an account of what happened on site at Floating Projects in the evening of 6th of May, by FPC member WONG Fuk-kuen…
WONG Fuk-kuen / 我與彈珠人：小孩的他和三十歲的他接軌了。 B-Daman and I: once a kid, now I’m 30
「我跟彈珠人有一種緣份，跨越了二十多年時間，這種特殊的喜愛也是一樣的。無論在小學，還是到現在，相比其他漫畫，這個故事情節也比較真實…。」（2017，黃福權）成年人眼中的沈溺，在一個小孩來說，或許是有他們的原因的，也可以是一生的能源的暗出口。今天的他再回顧小六時候的記憶。Wong Fuk-kuen sees a clear linkage between the young kid and the adult of himself through the marble shooting toy B-Daman. Here, he speaks of the 20-something-year attachment.
Voices from “Nothing Can Come Closer” (1) 無法取得位置：弦音（一）
Individual works from “Nothing Can Come Closer”: Lam Kin-choi, Wong Fuk-kuen《無法取得位置》作品逐個講：林建才、黃福權
FPC members / 《吹脹．影像》繼續吹 “Expænsive Cinema”, keep blowing, keep expanding
9 FPC artists stretch the possibilities of the moving image — the projecting apparatus, the projected image, the moving and projecting processes, projected surfaces, how and where… 九位「據點。句點」藝術家心目中的活動影像的膨脹性、膨脹度是怎樣的？他們多方對策：投影的器具、所投的影像何來、成像的過程、展示影像的「面」…
![WONG Fuk-kuen / 我跟彈珠人有一種緣份。We’ve got a connection… [“Toy as Medium” count-down…]](https://fpchk.s3.ap-southeast-1.amazonaws.com/2016/11/featureImage_cropped-468x328.jpg)
WONG Fuk-kuen / 我跟彈珠人有一種緣份。We’ve got a connection… [“Toy as Medium” count-down…]
FP member Wong Fuk-kuen’s long-lasting fascination with B-Daman finds way to his art practices today. What’s going to be “B-Daman art”?
WONG Fuk-kuen /《現在進行》一思再思 Present Continuous: still thinking…
Critique, review, critique, self-discovery, artistic experimentation, critique, articulation, self-discovery… Wong Fuk-kuen finds himself in this recurrent routine Floating Projects highly values. Extreme modes of artistic exploration of things in our physical world often push us (him) in the direction of science… Danger, Wong finds, is the unique interface he generates in his exploration.
