Searching for tag: field-notes
Michael Leung / ON LAND 09: “Kai Shan” – a fictional story 「在地」（短篇小說）：髻山
Kai Shan in Wan Chau Village. Love in the time of resistance. A fictional story by Michael Leung. 元朗橫洲村髻山。愛在動盪不安的季節。梁志剛短篇小說。***Content warning 成年內容。
Michael Leung / ON LAND 08: Dream 「在地」八：夢
It’s a dream! Wuhan, Coronavirus, mum, art, Noam Chomsky. 夢就是這樣的。武漢 – 新冠狀肺炎 – 媽媽 – 藝術 – 語言學家及社會批判學者喬姆斯基。
Michael Leung / ON LAND 07: Pandemic-Thinking 「在地」七：大流行的思維
What is “inter-disciplinary thinking”? Michael Leung crosses the threshold: what about econolandscapes and cultural virology (Rob Wallace), plant thinking (Michael Marder), multispecies perspectives (Anna Tsing) and so on, to culminate in what is called “pandemic-thinking”?…「跨界思考」不算新鮮，卻遠遠未達日常生活的廣泛應用。梁志剛超前一步，引述近年回應「人類紀」危機而出現的學者的論述，如植物思維、多／跨物種思維、經濟景觀、文化的流行擴散…等，構成大流行的思維。
Vennes Cheng / THINK-PAD series 03: Image constellation and the survival (Nachleben) of image「書寫作為思考」筆記系列三：圖像群與影像的續存
Contemplating the “Nachleben” (afterlife, survival) of images in Aby Warburg’s Mnemosyne Atlas, Vennes Cheng traces the intellectual sources of the anachronistic and biomorphic forces behind his phantasmagoric retrieval, a unique way to create art history as constellations of found objects, impulses, emotions, phenomena and complex temporality.作為藝術史的實驗，阿比沃堡最後遺作《記憶地圖》所用的「圖像（星）群」方法，牽涉到圖像的生存與復生。鄭秀慧透過德文 Nachleben 的不同翻譯，進一步理解這可形容為「幻象檢索」的導向如何擱置了年表、分期等結構，轉向視覺上的相似性、記憶的衝動、要體現的情感等的並置，衍生出實驗性的藝術歷史。
Michael Leung / ON LAND 06: Third Time Lucky? 「在地」六：再三的幸運？
The bat. Confinement. A female goat. Graffiti “The future is female!” Electronic tagging. On-line conferences. Animal testing or not. The Joker… All connected — to our future. Michael Leung’s intergalactic thinking connects. 蝙蝠。限聚與禁閉。母羊。牆上塗鴉喊著：「未來是女的！」電子標簽。網上會議。應否用動物進行藥物測試？小丑。… 在梁志剛的系際思維裡，都可結連成為一體，預見未來。
LIM Yeon-kyoung / Independent Publishing in South Korea in the 2010s (1): The Cultural Movement Reinventing Feminist and Queer Intimacies 南韓的獨立出版運動（2010以來）：重整戰友的親密
What is independent publishing’s contribution to the Feminist/LGBTQ movement in South Korea? Lim Yeon-kyoung uses new materialist and post-consumerist frameworks to examine her own field experiences. 博士研究者Lim Yeon-kyoung 在後消費主義的藍圖裡重新理解「獨立出版」的政治性、創作上的實驗性，以至對南韓本土的女性主義、同志及酷兒運動的推進所作出的貢獻。獨立出版似乎注定被拒於嚴肅的學術出版的門外，林卻用新唯物主義和演述理論的高度去討論獨立出版的追求，並以個人「實戰」去說明。
Michael Leung / ON LAND 05: A Mushroom, for a While… 「在地」五：冬菇頭。簡樸生活。
An ordinary day with a haircut in Lyon put Michael into a confessional mode of reflexive reconnection with his double citizenship … To what kind of privileged access does it entitle him? And what doors has opened to him? 梁志剛的雙重國籍或公民權對他的漂流歷程有何在地的挑戰？又打開了一些甚麼的門？
Michael Leung / ON LAND 04: Intergalactic Thinking 「在地」四：系際思維
Michael Leung shuttles between empirical planes, intellectual horizons and concrete dwellings of diverged spatio-temporal orderings… to assert research that is multi-species, and art that is energy that runs through all realms of living. 「萬物」在梁志剛的漂流路上漸成一張網，少數邊緣的、系統與系統之間的、跨族類的都可以平放或結連。思路無邊，在無政府主義狀態到專制主義運作之間，香港的形影浮現。學術研究如何實踐系際思維？
Michael Leung / ON LAND 03: One Day We Won’t Need to Sweat (and Add Oil) 「在地」三：到那天，我們不再需要流汗（請加油）
A long journey, from the 2 years and 7 steps that firewood takes to become useful to us, to a child’s slingshot, and to the thought “We must use the methods available to us, and those I have learnt recently,” Michael Leung’s notes weave an otherly global network of peculiar relevance, entrenched on earth. 由砍樹到可燒菜取暖的柴火，兩年長的七個步驟、梁志剛的飄移體會是：「我們必須善用就在眼前已有的方法，還有剛剛學會的技巧。」創造新網絡，始於在地、留神。
Michael Leung / ON LAND 02: The Collective「在地」二：集體、群體
The individuals of a collective do things together, despite their differences. “Each person is a walking directory…” 集。群。體。正因為個別的不同，個人自主受到尊重，所以，能一起前進，共負一軛，沿途照應，你是我的地圖，我是你的另一張地圖。每個人都各自是一個索引目錄。
