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Michael Leung / Drawing Paths Between 勾畫軌道,留住線索

Michael Leung / Drawing Paths Between 勾畫軌道,留住線索

The thickness of the present grows as a writer goes back to the past — to question the protagonists of a situation from the point of view of what they could have done and what they may become capable of. Michael Leung takes off describing how he no longer calls himself a beekeeper as multi-species solidarity becomes growingly important to him.

Everlyn Char, Yang Yeung, Eddie Cheung / Distance of Space, Materialized bodily presence: visitors’ notes 訪者絮語:文美桃彼岸之地
Samson Cheung /「曝光」之下 — 演後感 Notes on performing “Under Exposure”

Samson Cheung /「曝光」之下 — 演後感 Notes on performing “Under Exposure”

「相片沉了藥水後從一將白紙慢慢顯影。」這就是「曝光」。張才生就個人展覽 《從觀看說起》 及閉幕演出《「曝光」之下》給自己作了一點記錄。Artist Samson Cheung reflects on his “exposure” (exhibition and performance) in his solo show at FP last December (2016).

Winnie Yan / hot cakes / hard kicks

Winnie Yan / hot cakes / hard kicks

“…I am still not very used to carrying a camera. Scenes captured in the footage do not have little similarity with what I actually saw on the spot.” Winnie Yan, curator for “Back & Forth,” recalls her videography one year ago.

YEUNG Yang: [review] Hardworking Burning Electricity – Wong Chun Hoi Solo Exhibition

YEUNG Yang: [review] Hardworking Burning Electricity – Wong Chun Hoi Solo Exhibition

[FP EXHIBITION REVIEW] Yeung Yang identifies three sets of dilemma – techno-culture, dumb objects, and the challenge of a solo show – and ponders on the place of affect in Wong Chun-hoi’s “Hardworking Burning Electricity.”

Josef Bares / Lee Kai Chung, “So Many Quiet Walks to Take” – from archiving history to becoming private
Josef Bares / Wong Chun-hoi’s “Hardworking Burning Electricity”
Floating Projects Collective 2024