洞穴和箱子裡的人：禁閉的五花八門 (隔離手記 01)
就是為了記好。黎肖嫻點線面多方切入，一個簡單的回家的動作，牽出地球的年曆和極微的人的想像力的理肌。七天隔離變二十一天。三番四次不是航班取消就是酒店鬧房荒。怎回也回不了家。這是在造夢嗎？… 終於，她正式寫下抵港後隔離手記的第一篇。
機器學習 Collecting, compiling and variations, 2 new FP creative monographs
FP new member Ray LC’s two creative monographs are now available at FP’s sales corner, adding to FP’s growing list of publication which includes anthologies, small-print catalogues, online video zines and zine series. 「據點。句點」新成員羅銳的兩個小量印刷的單行本。一本是作者自行與開源的機器學習協作的詩本創作，探究私密的情感在語文句法的衍生變奏上會變成甚麼。另一本則是對環保認知普及化的回應；收集，遊說，敘事化，一個核心，多方的場景、面貌。
The Cave and the Boxes: variations of confinement (quarantine diaries 01)
For the sake of not forgetting, Linda Lai details her quarantine experience, from a 7-day quarantine order multiplied by 3 just because Spain was suddenly placed on a hi-risk list. The first of her 21-day quarantine diaries… 中文版另刊
Elliott Wan / HK’s Indie Music Scene (10): a way to conclude 暫時總結
“To sum it up: if the strongest shall fall, what can survive?” asked Elliott Wan, in search on more thorough research in his graduate studies. 「最強的也會倒下去，那麽能生存下去的可以是誰？」溫啟朗在完結篇留下了這問題，看來，繼續深究是必須的。
Elliott Wan / HK’s Indie Music Scene (9): the Economy of Independent Production and Distribution 香港獨立音樂場景系列之九：獨立製作和發行的經濟
An Ancient Greek proverb says, “Society grows great when old men plant trees in whose shade they know they shall never sit.” If immediate profits are all that we care about, the same mainstream-Vs-independent split will repeat itself. 若要擺脫活在西歐和亞洲區的陰影下，就得重注孕育年青新一代本地獨立音樂創作人，現在就得改善土壤，為了不太近的未來。
Ventriloquists 2021 / 09-Jacky Choi’s Generative Literature (the writing) 腹語系之九：蔡俊希《把迷戀說成夢》（下）
蔡俊希《把迷戀說成夢》。十個夢。十種心情。十種慾望。十種閱讀。Choi Chun Hei Jacky‘s ten successive rounds of automatic writing and subsequent modifications results in a readable work, in all of which the writer was strolling on the street alone at night, contemplating the mysteries of life — the complete series of the 10-dream series in Chinese…
Ventriloquists 2021 / 08-Jacky Choi’s Generative Literature (intro.) 腹語系之八：蔡俊希《把迷戀說成夢》（上）
蔡俊希《把迷戀說成夢》。十個夢。十種心情。十種慾望。Choi Chun Hei Jacky‘s Generative Literature project combines dream narrative based on his automatic writings. Ten successive rounds of automatic writing and subsequent modifications results in a readable work, in all of which the writer was strolling on the street alone at night, contemplating the mysteries of life.
Ventriloquists 2021 / 07-Pictograms analyzing Nolan’s INCEPTION 腹語系之七：圖解《潛行凶間》
Why are these young artists drawn to Christopher Nolan’s Inception (2010)? Must dreamwork be understood as the manifestation of our unconscious in the Freudian sense? The dream narrative in Nolan’s work suggest technology’s possible to insert a mechanism that narrativize the present, pockets of past memories and emotive response to remembering… Here are some pictograms tapping into these thoughts. 電影《潛行凶間》吸引了不少年青創作人的好奇。夢敘事不再是佛洛伊德下意識世界的活動的敘事化表現，而是科技的植插，把個人記憶、現實、情緒變動化成一種監控和介入。這裡是幾個重構這個反前向線性的電影敘事體的創作分析圖。
Elliott Wan / HK’s Indie Music Scene (8): Independent Vs Mainstream 香港獨立音樂場景系列之八：如何獨立
One key to the survival of independent music is to spend costs like you are indie, but attain audience attention like that in the commercial sector. Is this really possible, and the only way? 用獨立製作的成本，獲得商業製作的注意力，有可能嗎？到底本地獨立音樂要追求的是甚麼？
Elliott Wan / HK’s Indie Music Scene (7): COVID-19 and Digital Media 香港獨立音樂場景系列之七：新肺炎時期的製作方法
Many innovative responses have been evident to survive the impact of the pandemic, sustaining jobs and income for some. What is lost and what is gained? 新肺炎刺激了不同的生存手法，不乏對音樂創作的傳承。危機是渡過了，接著呢？
