《計劃聚集》為「據點。句點」的原生遊戲系列《黃竹坑聚疊》。句點藝術群體會在區內拾遺,不加思索地處理著現成物料,推斷著現成/被棄物的物理性,可衍生的下一步,聚疊遊戲後又衍生即興演出《據點空間壓力測試》系列。是次據點聚疊這空間「變形蟲」外遊來到了台北的非常廟藝文空間。王鎮海作了詳盡的記述。Wong Chun-hoi, FP’s Artistic Engineer, keeps a dense record of the process of staging FP’s Assemblage game in a gallery in Taipei.
A series of stories on glimpses of everyday street life in Hong Kong, from FP writer Wai-leung Lai’s eye-witness, starting with a bowl of rice with BBQ pork… 據點作者黎偉亮一連串有關本地街頭日常點滴的短篇,由一碗叉燒飯開始。
To those who have watched his apparently uneventful video Morning screened at the recent Fresh Wave 2017, Don Tsang unravels the “thick and dense” thoughts underlying the work. 曾旭熙說《無念》:平淡的家常”細藝”背後的密集思考…
A moving image program Linda C.H. Lai curated for Art Central 2017 brought together film projection and digital imaging works to show experiments and innovations transcend what we call old and new media…
9 FPC artists stretch the possibilities of the moving image — the projecting apparatus, the projected image, the moving and projecting processes, projected surfaces, how and where… 九位「據點。句點」藝術家心目中的活動影像的膨脹性、膨脹度是怎樣的?他們多方對策:投影的器具、所投的影像何來、成像的過程、展示影像的「面」…
「相片沉了藥水後從一將白紙慢慢顯影。」這就是「曝光」。張才生就個人展覽 《從觀看說起》 及閉幕演出《「曝光」之下》給自己作了一點記錄。Artist Samson Cheung reflects on his “exposure” (exhibition and performance) in his solo show at FP last December (2016).
A poem by Vicky Do while working out “Back and Forth” videography exhibition, encountering an ocean of rich emotions in the … a reconnection with her late grandmother…
Artist’s Statements by 16 artists on 20 works of videography in “Back and Forth”…
“…I am still not very used to carrying a camera. Scenes captured in the footage do not have little similarity with what I actually saw on the spot.” Winnie Yan, curator for “Back & Forth,” recalls her videography one year ago.
Kel Lok, FP member, artist of “Toy as Medium” and workshop host for “Monster Assemblage,” shares with us the more-than-monsters created on 3 December 2016 with visitor-participants.