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Linda Lai / READING REPORT (2): To Zoom or not to Zoom: More Questions 「讀書報告」二：Zoom不Zoom？沒有純科技問題。
有關Zoom的激烈討論至今已冷卻，如今又聽聞中學生要求罷用Zoom作網上學習。為了趕得上，黎肖嫻以這文章的上下集用自己的經驗為Zoom的爭辯寫個讀書報告。沒有純科技問題。如何活在大數據時代？Linda Chiu-han Lai follows her own footprints of using and struggling with Zoom since mid-February, and turns it into an extended reading report to situate her thoughts. This is part 2 to complete: how to live in a big data milieu?
Linda Lai / READING REPORT (1): To Zoom or Not to Zoom: is that the question?「讀書報告」一：計算好，網上見。Zoom不Zoom？
有關Zoom的激烈討論至今已冷卻，如今又聽聞中學生要求罷用Zoom作網上學習。為了趕得上，黎肖嫻以這文章的上下集用自己的經驗為Zoom的爭辯寫個讀書報告。Linda Chiu-han Lai follows her own footprints of using and struggling with Zoom since mid-February, and turns it into an extended reading report to situate her thoughts.
Linda Lai / Levitated Potentiality 2: software writing, soliloquy & magic 《移形换步》之2 – 機器書寫、喃喃自語、變戲法
“Levitated Potentiality 2019,” presented by FP at the FLAME Festival HK, gathers video works that connect with the experimental tradition, highlighting the narrative intricacy of the very process of an image discourse unfolding in time. 8 artists shows 14 video works.
“Elemental Dynamite” kicks off this week with rare treasures
[press release] An intimate journey with experimental animation from the US, Europe, Japan and Korea (1935-2017). In the summer kick-off of “Elemental Dynamite: Research on Intermedia Practices in Animated Pictures,” EXiS Program Director Lee Hangjun takes us through in conversations.【新聞發佈】《原格破裂 – 動畫的互媒實驗綜覽》研究計劃向我們對動畫的裡所當然發出各種問題，尋求香港的本土角度，由夏季的兩場放映會和一個現場表演開始，先著眼於世界、歷史為我們留下的珍貴足跡。
《原格破裂》為何動畫？ | 夏季 | 據點 “Elemental Dynamite” kicks off this summer
【新聞發佈】《原格破裂 – 動畫的互媒實驗綜覽》研究計劃向我們對動畫的裡所當然發出各種問題，尋求香港的本土角度，由夏季的兩場放映會和一個現場表演開始，先著眼於世界、歷史為我們留下的珍貴足跡。
Home-Making: do we need walls for our habitat? 間房要不要牆? – 日常飲像影食(3)
In “Home Making” (“Have a Balanced Diet” #3, 2019.07.12-26) FP member Ding Cheuk-laam and 14 other artists/researchers extend the quest for experimentation as a general attitude of life to home-making. What kind of habitats do we seek to create? How have we actually constructed our home via artistic imagination?「 間房要不要牆? 」是FP成員丁卓藍發起的《日常飲像影食》系列的第3部，連同14為創作和研究者繼續堅持實驗（性）作為一種整體的生活態度，並以房子這個熟悉而具體的日常空間為前題，看如何因著創作的行動，人的主體與媒體技術的互相啟發，「家」、房子就成了發聲運動的起點。
Diligent Exercises: right here, left now, out there
Once again, what is “micro narratives”? Micro narratives is about stepping down from ,,, Some pieces you’ll never see because they stand for the struggle to push boundaries…
Linda Lai / We need less perfect but more free films 2019: why do they think videography matters?
「我們需要少些完美的電影，但需要多些自由的電影。」Jonas Mekas 這話道出了《微敘事 2019: 在這，仍在，現在》的的根底。” We need less perfect but more free films.” Jonas Mekas’s words articulate the ethos and pathos of “Micro Narrative 2019: Right Here, Left Now, Out There”…
Linda Lai / Heterotopia as artistic practice: Lost Textures of QRC folding and unfolding 異質地誌作為藝術方法：褶疊待延的皇后大道中
…the world is interpreted as a body of infinite folds and surfaces that twist and weave through compressed time and space. — Simon O-Sullivan on Gilles Deleuze> Lost Textures is the work of artist cum historiographer, Linda Lai, in collaboration with experimental artists Winnie Yan and Michelle Lee from the Floating Projects Collective (FPC) […]
Linda Lai / Code Name “Micro Narratives”: initiations into our Manifestos 行動代號「微敘事」。宣言的啟動。
An epilogue written on 22 June 2018 by Linda Lai for Videography. Micro Narratives. Temporal Beings. Our Manifesto / 2018]***黎肖嫻為《我們的錄像宣言》（2018）寫於2018年6月22日的「結語」。
